Jumat, 23 Agustus 2013

where on my body should i get this tattoo?

Q. http://s3.amazonaws.com/data.tumblr.com/tumblr_l3musl3VTu1qajm78o1_1280.jpg?AWSAccessKeyId=0RYTHV9YYQ4W5Q3HQMG2&Expires=1276392526&Signature=1cxcTnftRUhaSCuJSR4H%2B5tWR8E%3D
the artist is using this picture to work with, so it wont look exactly like this, but you get the idea
I am a woman, 5'7 130 lbs (just so you know i'm average size). I DONT want legs, stomach, chest, or lower back done. I'd like it to be somewhat hideable as well. Not sure on size yet, that really depends on placement. I don't want to go bigger than like 6 inches though.

none of this "this is going to be on the body for the rest of your life" crap, please. I've made the appointment and i'm getting it done on MY body.

A. i would say on your hip, so that it could be ALMOST but not really covered by underwear or bathing suit bottoms.. that way, you can see it whenever, but it isn't like, fully in sight all the time :)

but if you want to show it off, maybe like right in the middle of your back, below your shoulders but like above your lower back... or maybe on your foot or on your ribs (either under your breasts or more beside them).

those are my ideas! :) have fun


Buy or Sell: David Fincher is the master of making the scariest non-horror films?
Q. Perhaps creepy would be a better word than scary, but regardless, I find that his films creep me out more than any horror film. The scene in Zodiac in the potential Zodiac killer's basement is suspense at it's finest, and The Girl With The Dragon Tattoo slowly gets freakier. Even his "lighter" films (The Social Network) have these dark atmospheres to them.

He's definitely one of my favorite filmmakers.

BQ: Does anybody really consider Extremely Loud and Incredibly Close, and War Horse to be better than The Girl With The Dragon Tattoo? If so, why?

A. Absolutely agreed! I wouldn't go so far as to call him the "master" since I haven't seen every non-horror film to pass judgement. But definitely yeah, he's experimented lots too, but one thing's clear--he's never strayed away from the creepy atmospheric feel every movie of his has. I completely agree with you on that. Fincher’s films have been about the pathologies of men. From Fight Club to Zodiac to Se7en, he looked at the darker side of their nature, he’s reveled in it. He even managed to make a movie about Facebook’s founder feel creepy, urgent, and disturbing. But not since he directed Sigourney Weaver in Alien3 and now, Rooney Mara; has his “dangerous pit bull” been a woman. I've seen Girl With the Dragon Tattoo and it's got everything you expect from a Fincher-movie. I preferred the Swedish version, but Fincher did justice to the Millennium book, so I can't complain (apart from the ending change).

He's one of my favourite filmmakers too. If anything I'd call him a perfectionist, because of the number of 'takes' he does to perfect a scene. I think it's brilliant when someone takes their work very seriously not "take one, ok that's done let's pack up and leave". He strives to entertain, with every frame in each film. Can't help but admire him. :)

BQ: War Horse and ELIC do not deserve to be on the list of "Best Motion Picture", period. Heck yes, The Girl With The Dragon Tattoo was better! Hell, Drive, Shame, Harry Potter and the Deathly Hallows 2, Rise of the Planet of the Apes-- were all better and had more "meat" than War...and ELIC. I'm sorry, but I simply don't get the ELIC nom. I get the usual Spielberg recognition in the category (if it's not best director, then best film), I'm not against nominating the usual "veterans" if their movies were genuinely good. I mean, Fincher at least deserved a best director nod. And Scorsese tried his hand in 2 new genres he was completely unfamiliar with 3D and kids. At least he tried to push the envelope. I'm sorry if I'm being a bit harsh, but Spielberg staunchly insists on finding a happy ending even in the calamity of the First World War, but that he slathers it on so thick and leaves so soft an impression. It has the usual Spielberg customary flair but never reaches greatness due to it being syrupy and proudly sentimental. It's like when you have a kid that keeps getting A* at a essay, but then gets a B and he wonders why? It's because on his standards, he could've been better, been more innovative, pushed some boundries. Spielberg's that kid. I know I didn't really answer the BQ very well, lol. I just get mad when I think about War Horse and remember how amazing so many other movies were and deserve some recognition and praise for their hard work :/





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