Senin, 26 Agustus 2013

Comparing the pain of a tattoo to childbirth?

Q. I was a little curious, I hear women comparing tattoos to childbirth constantly, and was wondering which is really more painful? I have a tattoo on my neck, and I was just curious. Thanks! :)

Oh & by the way, I know it's a totally different 'kind' of pain, but I thought women compared them so much because they both have good outcomes, something you're looking forward to. (Of course, a baby is MUCH more to look forward to than a tattoo!) Haha.

A. I have never had a tattoo so I can't really say, but I cannot imagine how a large muscle contraction could be compared to a tiny, localized pain of a needle / scratching / burning feeling.

I usually compare the pain of contractions with the burning and pain you feel when a muscle does hard work, like your legs if you ran a marathon. This, coupled with the low back achy cramp of intense menstrual pain.

The birth itself (crowning) if you don't have any local anesthetic or epidural is referred to as the "ring of fire" for a reason, as there is an intense burning when the tissue starts to stretch. But endorphins and adrenaline kick in shortly and help dull the sensation, as well as the blood supply to the nerves gets cut off from the stretch. And you're so excited that you're so close by that point that you're just focused on getting that baby out, so the distraction helps dull pain too.


How important is "originality" in a tattoo design?
Q. Check out this quote from an interview with Pat Fish (a woman tattoo artist world famous for her Celtic designs). It came out in 2003:

"College students cast about for something with meaning. The great default is something written in Japanese. It's low commitment, and they can feel wicked and tattooed. Frankly, a tiny kanji looks better than a miniscule rose. We call those 'zits on sticks.' The most common tattoo we do, besides kanji, is suns. Especially on girls' lower backs. For the last four or five years, we've done at least one a day. I hung a sign on the front door of my house that says, 'This is the bungalow that suns on butt cracks bought.'" ......

"We work out of files. I have a file of just suns. That way, I don't have to keep drawing the same thing. After the customer looks at 500 different suns, one-third will pick the same sun. It's the logo for this generation—Leo Zulueta's tribal sun. Then they can make it even more meaningful by putting a kanji in the center! My mantra about that is, 'The baker doesn't complain when the muffins sell well.' So, if we bake another dozen kanji, we're happy to do it!"
(source: http://www.luckyfish.com/controversial.html)

Hmmm...What’s the “logo” for THIS generation?

Here is the artist’s cynical viewpoint. Most are probably sick of doing the same “unoriginal” pieces. (Earlier in this article she says “That’s what employees are for!”)

But there is also a value in the standard design; everyone needs to be familiar with it so its “standard” meaning comes across. If every traffic light used different colors to mean “stop” and “go,” it would be really confusing.

Your thoughts?
I walked by Pat Fish's shop today (it's really close to my house) and peeked in....there is a whole HUGE wall of kanji flash, with the meanings of each character! I can really sympathize with her cynical attitude, but this just made the shop look really bad!

A. I completely feel sorry for tattoo artists who do 3-4 tramp stamps a day. As a piercing apprentice I feel as if I might scream every time some generic girl comes in to get either her tongue, her belly button, or both pierced. You can't blame people though, we're all victims trying to look cool. Some of us might not go out and get tattooed on a whim, but we will express it in other ways.





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